Media · Critical film library

Caribbean Cinema and Documentary

A film library to think from our shore

A curated catalog of films and documentaries relevant to Blackness, monumental whiteness and dispossession. Each work with its legal home and a reading through the group's categories: what no commercial database delivers.

Selection criteria

The film library was conceived around the dialogue between the image and the categories we work with. The guiding criterion is conceptual pertinence: each work engages with (or tensions) Blackness as a regime of sensibility, Black lives as a philosophical archive, monumental whiteness and the porosity of dispossession. Three further conditions apply: verifiable legal standing, with access always declared as public, institutional or paid; sustainable sources, favoring public archives and platforms over fragile aggregators; and epistemic honesty, where availability is not confirmed we say "to be verified" instead of asserting what isn't true.

Greater Caribbean

The selection traces a constellation, not a nation: the Caribbean as an archipelagic and relational space in the sense of Édouard Glissant. It prioritizes the audiovisual canon of Afro-Caribbean and decolonial thought, the filmic counterpart to Frantz Fanon, Édouard Glissant, Stuart Hall and the Black radical tradition, and follows Blackness across its diasporas: Havana, Fort-de-France, London, Port-au-Prince, New York. It moves from plantation memory to the present, and from the essay film to the militant archive.

Colombian Caribbean

Three criteria govern it. Geographic specificity: an emphasis on the Caribbean. A refusal to monopolize Blackness: not reducing the Black Caribbean to San Basilio de Palenque, but showing its heterogeneity: the Afro-Palenquero (Marímbula), the Anglophone-creole raizal (Keyla), the Indigenous and the popular within the Caribbean universe. Own sources: Retina Latina, RTVCPlay and Videosferas of Universidad del Magdalena, among others.